Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.

12/06/18
Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.
12/06/18
Ligaia Meyer had two of her Oxbow prints selected for the University of New Mexico Young Artists Exhibition.
12/06/18
Jasmine Zelaya's work Twins is on display in downtown Houston as the Main Street Marquee, a billboard sized work of art on the Main Street Market building, through Art Blocks Houston. See more of Jasmine's work.
12/06/18
Matthew Rowe's first solo exhibition was held at the Four Seasons Resort and the Beals and Co Gallery in Santa Fe, New Mexico. He was featured in the Santa Fe Reporter article Dichotomy, Sienna Luna explores her duality while Matthew Rowe embraces imperfection by Alex De Vore.
09/18/18
Acadia Mezzofanti is the youngest exhibiting artist at Elevated: 2018 National Photography Show, at the Copley Society of Art in Boston. Former AIPAD president Robert Klein selected 23 artists from several hundred entries for the juried exhibit that explores the question: what elevates photography to fine art? See more of Acadia's work at www.acadiamezzofanti.com.
09/04/18
Musician Matthew Santos was in the August 29, 2018 New York Times article You Know What London Looks Like. But Have You Really Heard It? by the musician Dessa. In the photo LJ Rich, left, begins to manipulate the ambient sounds of Arnold Circus for Dessa and Matthew Santos.
Photograph by Tom Jamieson for The New York Times
09/04/18
William Binnie's first museum exhibition includes The Lure of the Dark: Contemporary Painters Conjure the Night at MASSMoCA, through Dec 2018. William will also be included in the 2019 DeCordova Biennial and he co-chaired the 2018 Studio Party of the Whitney Museum of America Art, which raised $4.8 million for the museum.
I want to thank you all for being so supportive and wonderful, thank you for running this incredible program. And half of my acceptance to RISD is because of Oxbow. (Especially thanks to Chris who wrote my letter of rec, to Jennifer who revised my essays, to the admissions team who helped me with my portfolio.
— Jeff Shen, Fall 2014
Oxbow forced me to create, and by creating, I established foundation for my thought.
— Jamie Roux, Spring 2003
If at any point Oxbow doubts the good it does, I just want to reassure you all that you’re changing the lives of young artists every semester.
— Colin Davis, Fall 2009
A School Like No Other