Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.

12/06/18
Jason Kartez has relocated to Los Angeles where he is establishing a studio. He works for the non-profit artist run organization Side Street Projects, The Museum of Contemporary Art Los Angeles, and the City of Los Angeles.
12/06/18
Ligaia Meyer had two of her Oxbow prints selected for the University of New Mexico Young Artists Exhibition.
12/06/18
Jasmine Zelaya's work Twins is on display in downtown Houston as the Main Street Marquee, a billboard sized work of art on the Main Street Market building, through Art Blocks Houston. See more of Jasmine's work.
12/06/18
Matthew Rowe's first solo exhibition was held at the Four Seasons Resort and the Beals and Co Gallery in Santa Fe, New Mexico. He was featured in the Santa Fe Reporter article Dichotomy, Sienna Luna explores her duality while Matthew Rowe embraces imperfection by Alex De Vore.
09/18/18
Acadia Mezzofanti is the youngest exhibiting artist at Elevated: 2018 National Photography Show, at the Copley Society of Art in Boston. Former AIPAD president Robert Klein selected 23 artists from several hundred entries for the juried exhibit that explores the question: what elevates photography to fine art? See more of Acadia's work at www.acadiamezzofanti.com.
09/04/18
Musician Matthew Santos was in the August 29, 2018 New York Times article You Know What London Looks Like. But Have You Really Heard It? by the musician Dessa. In the photo LJ Rich, left, begins to manipulate the ambient sounds of Arnold Circus for Dessa and Matthew Santos.
Photograph by Tom Jamieson for The New York Times
09/04/18
William Binnie's first museum exhibition includes The Lure of the Dark: Contemporary Painters Conjure the Night at MASSMoCA, through Dec 2018. William will also be included in the 2019 DeCordova Biennial and he co-chaired the 2018 Studio Party of the Whitney Museum of America Art, which raised $4.8 million for the museum.
I learned to drop all previous assumptions I had about people because I had never met anyone like the other students at Oxbow. For the first time, my peers and their insightful thinking inspired me. For example, during the ‘Einstein’s Dreams’ presentations, I kept looking around the room thinking, I can’t believe all of these students are talking the way I think.
— Sara DeLong, Spring 2010
The art that goes on in most high schools is usually relatively skill-based. At Oxbow, there is more emphasis on looking and seeing and more critical thinking about what you are doing, the human connection, that personal element. Through art you can begin to understand yourself better. That may be the biggest eye-opener for students. It is almost a preview of college. Get out of the mechanical factory high school education and get into something open, new, and invigorating in a small environment.
— Bill Barrett, Former Oxbow Board Member, Former Executive Director of Association, College of Art and Design (AICAD)
Our daughter graduated summa cum laude from NYU with a double major in Studio Art and Art History. She is now working for Calvin Klein. She is contemplating getting a law degree and pursuing a career repatriating art objects. She still keeps in touch with several of her Oxbow classmates and they have regular reunions in Manhattan... I would say that Oxbow was the best semester that any of my four children spent in their cumulative 16 years of high school. Our daughter was the right kid, and for the right kid you do a wonderful job. You changed her life. Thank you.
— John Powley, Parent
A School Like No Other